9) So tubular: You'd have to look hard to find a better visual cue to Dharma's mind games than the massive pile of pneumatic tubes that the hunting party discovered en route to find the Others in the finale. The conceit of the Pearl station was that it was the real deal, and the hatch just a big psychological experiment. The tape it contained, and the tubes filled with observation notebooks, were enough to destroy Locke's faith in the 108-minute routine. But Desmond hinted that perhaps it was the other way around — with the real experiment occurring in the Swan. And the notebooks were the perfect reminder that nothing with Dharma should be taken at face value.
8) Ana Lucia vs. Goodwin: The Other 48 Days It would've been enough simply to see the eerie parallels between the original castaways and the tailies, and though Rousseau seemed like a troubling presence (she did torture Sayid, after all) it was Ana Lucia, Eko and the bunch who got closer to the Others than comfort would dictate. Remember Goodwin? Remember Ana Lucia's pit? In a single episode, Lostaway Island became way more unsettling.
7) The Others at tribal council: After furtive hints and glimpses, it was sweet gratification to watch Sea Captain Zeke confront Jack & Co. in the dark, light up the night with torches and then threaten them to stay on their side of the island. And then they offered up a gagged Kate as a bargaining chip. Perhaps it was the Others blowing smoke ... er, fire — but after so many oblique hints about their identity, this was a chance to see them in the open. It was even better than Zeke (Tom, actually) yanking his beard off in the season finale, a gratification for M.C. Gainey fans everywhere.
6) Sayid and Henry: Every menacing moment Sayid spent with Fake Henry was another reminder why it's so frustrating to endure an episode without seeing the Iraqi ex-soldier. Maybe you could quibble with Sayid's singleminded determination to prove Henry was lying, but it's hard to argue with someone who's right. His work at the balloon site — finding the real Henry Gale's body, and that telling $20 bill — was worthy of Sherlock Holmes. By comparison, Sayid's rage at Ana Lucia for killing Shannon was a bore. Plus it's hard to find a better line than: “My name is Sayid Jarrah, and I am a torturer.”
5) Eko's flashback: The tale of the priest-not-priest was undoubtedly the best backstory of them all — a jarring human drama that would have made Eko a compelling character, worthy of his own series, even if you took away the island and all the metaphysical mumbo-jumbo.
4) The first orientation film: The official start of the Dharma mythology, a (notably flawed) explanation for the Swan station's contents and the launch for most of the season's Big Mysteries. We all hung on Dr. Marvin Candle's every word — even if the rather less dramatic, but still compelling, second orientation film in the Pearl station — made us think that everything in the first film was a hoax. And that Marvin Candle was actually someone else.
3) Taking the pulse: Sometimes you can't beat a healthy dose of CGI, and the final moments as Desmond dropped turned the DharmaKey and activated the hatch's “system termination” switch was the most riveting action sequence the show has yet produced. (Yes, even better than the first moments on the beach, passenger-chewing jet engines and all.) The metal swirling about the Swan station as an electromagnetic charge built up, the number counter crumpling and the eerie violet pulse that filled the sky (even if that last bit looked like Roger Corman experimenting with color correction) were the payoff we've been awaiting season, and probably even longer. It was an affirmation of all the bad juju we assumed the hatch contained, and yet it left a juicy number of cliffhangers: Did Locke and Eko survive? Did Desmond switch control to another system that could prevent further “incidents”? Can the electromagnetic force be controlled? Did this would-be incident down another plane? The coup de grace was the hatch door flying out of the sky, complete with “quarantine” warning, barely missing Claire.
2) Michael, get your gun: Back from his long disappearance, Michael came back with not one bang but three. Ana Lucia and Libby were in the crosshairs, as was Michael himself. As shocking as the deaths were, far more interesting was the prospect that, as Sayid put it, Michael may have “been compromised.” And boy did the erstwhile dad's erratic behavior lend credence to that theory, as did the flashback where we saw the Others give him a list of would-be victims to bring. As out-of-the-blue shockers go, this was a doozy. And oddly, it had more emotional impact than Michael's eventual reunion with Walt, which answered nothing and felt a bit hollow after such Michael's impassioned entreaties to save his son.
1) Snowbound: After blowing the hatch (see No. 3 above), the final few moments of the finale seemed placid by comparison, with two researchers in a remote station reporting an “electromagnetic anomaly” to Desmond's long-lost love. It took a while to dawn on us, but here's why this scene was the most important of all: It's the first since the crash of flight 815 to take place off the island in what we'll call, for lack of better terms, the present day. Not a flashback, and not a dream. Never was there better evidence that Lost Island isn't purgatory and it isn't symbolic. What happens on the Island doesn't stay on the island, and at least one person out there wants to find it. That prospect just made “Lost” twice as interesting.
Man: This is stupid...and incredibly boring.
David Blaine: Hey, I can hear you!
In Norway, in addition to skiing in the mountains and painting eggs for decorating, it is tradition to solve murders at Easter. All the major television channels show crime and detective stories (such as Poirot), magazines print stories where the readers can try to figure out who did it, and many new books are published. Even the milk cartons change to have murder stories on their sides. Another tradition is Yahtzee games. Sweden's traditions include egg painting/gathering and candy; additionally, (fake) feathers and little decorations are placed on branches in a vase. For lunch/dinner on Holy Saturday, families traditionally feast on a smorgasbord of herring, salmon, potatoes, eggs and other kinds of food.
